Vol. 2 No. 3 (2022)

Published: 2022-10-31

  • “Can I use the toilet?”: Watching Steven Moffat’s Doctor Who (2010- 2017) as Posthuman Television

    Jonathan Hay
    193–204
    DOI: https://doi.org/10.33182/joph.v2i3.1285

  • Autonomy, Posthuman Care, and Romantic Human-Android Relationships in Cassandra Rose Clarke’s The Mad Scientist’s Daughter

    Monica Sousa
    205–214
    DOI: https://doi.org/10.33182/joph.v2i3.1649

  • Morphological Fantasies: Posthuman Embodiment in Tian Xiaolei’s Video Art

    Xiaoli Yang
    215–227
    DOI: https://doi.org/10.33182/joph.v2i3.1672

  • Staying with the Trouble with Wilderness: Reworking Nature and Culture in the Plantationocene

    Jordan Johnson
    229–247
    DOI: https://doi.org/10.33182/joph.v2i3.1704

  • Forms of Care in Human–Nature–Technology Environments

    Patricia Ciobanu, Oskar Juhlin
    249–266
    DOI: https://doi.org/10.33182/joph.v2i3.1728

  • “Woman has won”; “(Venus won)”: On Donna Haraway’s Goddess

    Maria Theuma
    267–286
    DOI: https://doi.org/10.33182/joph.v2i3.1729

  • Philosophical Posthumanism and Intentionality

    Albert Piacente
    287–301
    DOI: https://doi.org/10.33182/joph.v2i3.1764

Commentaries & Interviews

  • A Commentary on Mark Wallace’s When God was a Bird

    Andrew J. Cutler
    303–308
    DOI: https://doi.org/10.33182/joph.v2i3.2130

Book Reviews

  • Buran, S. (Ed.). (2020). Edebiyatta posthümanizm. TPLondon.

    309–313
    DOI: https://doi.org/10.33182/joph.v2i3.2445

  • Morton, T. & Boyer, D (2021). Hyposubjects: On becoming human. Open Humanities Press.

    315–318
    DOI: https://doi.org/10.33182/joph.v2i3.2041

Artistic Works

  • Diffracted Photography: A Luminous Entanglement

    Lorena R. Bañares
    319–326
    DOI: https://doi.org/10.33182/joph.v2i3.2186

  • Floating Harmony: cutting-apart-back-together – a constellation of ‘becoming with’ in Horse ‘Henry Rainbow’ & Devoted Rider

    Donna Carlyle
    327–334
    DOI: https://doi.org/10.33182/joph.v2i3.2243