The Musical Characteristics and Development of Puxian Opera Since 1949

Authors

  • Liqun Wu Candidate of Ph.D. in Musicology, Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen, Thailand
  • Surapol Nesusin Assistant Professor, Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen, Thailand
  • Chalermsak Pikulsri Professor, Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen, Thailand

DOI:

https://doi.org/10.63332/joph.v5i6.2195

Abstract

This study focuses on Puxian Opera, an integral component of local culture deeply influenced by the socio-political and cultural context of Puxian since its inception. This research aims to systematically trace the historical changes and developments in Puxian Opera from 1949 to the present and to thoroughly analyze its musical characteristics, including tunes, modes, singing techniques, rhythmic structures, and accompanying instruments. The study explores how Puxian Opera evolved in response to social transformations over different historical periods by employing qualitative methods such as field investigations and in-depth interviews. Findings reveal that while the opera has experienced substantial musical evolution since 1949, adapting continuously to shifting social circumstances, it has successfully preserved its traditional essence. In contemporary society, Puxian Opera maintains its classical heritage and demonstrates renewed vitality and creativity, reflecting an ongoing cultural dynamism. Thus, the research underscores the significance of Puxian Opera as both a mirror of local social culture and a living tradition adaptable to modern contexts.

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Published

2025-05-29

How to Cite

Wu, L., Nesusin, S., & Pikulsri, C. (2025). The Musical Characteristics and Development of Puxian Opera Since 1949. Journal of Posthumanism, 5(6), 1102–1115. https://doi.org/10.63332/joph.v5i6.2195

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Articles