Bear(ing) Down: Encountering Posthuman Critical Media Studies through the (Re)tracing of Object and Embodiment

Abstract

This paper explores the how of posthuman theory by a collaborative and conversational visual reading of FX’s The Bear. In both
the shared and individual encounters with the show, we consider how objects produce relational affects across characters, objects,
time, and space. We insist that unique shows like The Bear, expand beyond a “use” orientation of objects, instead producing
objects as central to the narrative. Some objects become, in one way, another character as the action does not occur separate from
the objects. We argue that while that is often the case, this is not often made visible. The Bear, while still being a character-driven
show, emphasizes the agency of the objects. Objects get long takes, close-ups, and meaningful space in dialog, making the show a
meaningful text for temporary withdrawal from human-centered ways of seeing and knowing.