Logic Interrelation of Embedding the Word "Kyai" in the Gamelan Ensamble: A Cultural Deconstruction Process

Abstract

Some Heirloom Gamelan which are considered sacred by some cultural areas, have a place of honor with the title "Kyai". This phenomenon must be read in the context of local culture, which is currently being used by supporting communities. For example, in the palace areas, which are quite large and still exist today, namely, the Yogyakarta Palace and the Surakarta Palace. Outside the palace area, a similar designation occurs in wider society with the term "Ki". The reading in question can be approached as a theoretical proposition through Derrida's theory of deconstruction with its binary option which allows for two-way conclusions, namely factual justification or rejection of those deemed too far-fetched. To reveal all the premises that might occur in people's lives, research was carried out using qualitative methods with an emic approach that took data sources through literature studies and Personal Narratives. The application of Derrida's Deconstruction theory to the cultural phenomenon of honorific titles like \"Ki\" allows for a nuanced exploration of their significance in both palace and wider societal contexts. By employing qualitative methods and an emic approach, researchers can gain deeper insight into the lived experiences and personal narratives of individuals within these communities. This methodology enables a more comprehensive understanding of how cultural practices are perceived, maintained, and potentially evolving in contemporary societies.